An die Hammer-Freunde

[LJSilver]

BU macht keine Digis. 4 Amarays in Pappe!

2004 kommt übrigens eine reitende Leichen Box.

[LJSilver]

Hab heute die Anchor Bay von den Todeskarten vom Schrecki bekommen. Ist exakt das gleiche Schnippelmaster wie bei der Franze-DVD.

Also deutscher Vorspann, geil restaurierter Film, und am Schluss der matschige VHS-Abspann. Was soll das denn? Gibt's von dem Film kein besseres Master mehr?

[Dexter]

alten Thread mit ner alten News raushol
:icon_mrgreen:

Restored Hammer Classic 'Dracula' To Screen At Cannes

The BFI has announced that the Cannes Classics section of the forthcoming 60th anniversary edition of the world's biggest film festival will feature the BFI National Archive's new restoration of 'Dracula' (1958).

This screening on May 17 will mark the 50th anniversary of the Hammer Horror cycle which rapidly became a hugely influential and popular strand of British horror.

Amanda Nevill, BFI Director said: "We are delighted to be showcasing our latest restoration. Dracula is, for many, the film that has come to characterise the British Gothic horror genre and we are proud to be able to show it in the prestigious Cannes Classics strand.

"The BFI National Archive holds the most significant collection of film and television material in the world. Caring for such an enormous collection is a great challenge to our resources, particularly as the balance between investing in preservation and making the collection available to a wider audience is so precarious. We are immensely grateful to the sponsor of this restoration, Simon Hessel, for his generosity and support."

Based on the novel by Bram Stoker first published in 1897, this was the first colour version of Dracula. It was a massive international success on its original release and established Christopher Lee for many as the definitive interpreter of the demonic count. Peter Cushing also gives a great performance as the vampire hunter Van Helsing. High production values and a host of character actors, aided by a cracking script by Jimmy Sangster, add up to a rich and satisfying horror classic.

BFI National Archive, Senior Preservation Manager Andrea Kalas added: "The restoration of what many fans call the best Hammer horror film required extensive research into reported censored scenes. Rumour and fact, not unlike the Dracula story itself, are intermingled.

"Our research into missing scenes led us to every conceivable resource from the vaults of Warner Bros to an archive in Japan. Scenes censored by the BBFC for the release of the UK version, but included in the US version, have been recovered. In addition, the US title, "Horror of Dracula", had been attached to most theatrical and video releases. We have restored the original British release title with its distinctive illuminated "D."

"Ben Thompson of the BFI National Archive film lab oversaw the restoration and it is due to his diligence and perfectionism that the film is restored. We owe special thanks to Richard Dayton and Eric Aijala of YCM Laboratories and Tim Everett, Ned Price and Bill Rush at Warner Bros."

The film was restored from the original negative, except for the original British title and the censored scenes, which were from dupe negatives found in Warner Bros' vaults. The original prints were released on IB-Technicolor prints, and Richard Dayton at YCM Laboratories in Burbank worked with Ben to achieve this particular look.

The restoration will have a UK theatrical release later this year and Dracula will become one of the many thousands of films vital to British film history that are preserved at the BFI National Archive.

One of the world's largest and busiest archives, the BFI National Archive contains more than 230,000 films (features, shorts and documentaries) and more than 675,000 television programmes.

The collection is made available through public screenings at festivals and cinemas throughout the UK including regular screenings at BFI Southbank, alongside video and DVD releases, and online through the BFI's unique education resource, Screenonline www.screenonline.org.uk


Inzwischen wird der Film auch in Kinos in England gezeigt.
Bildformat ist nun korrektes 1,66:1
Ein Trailer findet man auf der bfi Homepage
http://www.bfi.org.uk/whatson/releases/films/dracula/trailer.html

[.sixer.]

alten Thread mit ner alten News raushol
:icon_mrgreen:

Restored Hammer Classic 'Dracula' To Screen At Cannes

The BFI has announced that the Cannes Classics section of the forthcoming 60th anniversary edition of the world's biggest film festival will feature the BFI National Archive's new restoration of 'Dracula' (1958).

This screening on May 17 will mark the 50th anniversary of the Hammer Horror cycle which rapidly became a hugely influential and popular strand of British horror.

Amanda Nevill, BFI Director said: "We are delighted to be showcasing our latest restoration. Dracula is, for many, the film that has come to characterise the British Gothic horror genre and we are proud to be able to show it in the prestigious Cannes Classics strand.

"The BFI National Archive holds the most significant collection of film and television material in the world. Caring for such an enormous collection is a great challenge to our resources, particularly as the balance between investing in preservation and making the collection available to a wider audience is so precarious. We are immensely grateful to the sponsor of this restoration, Simon Hessel, for his generosity and support."

Based on the novel by Bram Stoker first published in 1897, this was the first colour version of Dracula. It was a massive international success on its original release and established Christopher Lee for many as the definitive interpreter of the demonic count. Peter Cushing also gives a great performance as the vampire hunter Van Helsing. High production values and a host of character actors, aided by a cracking script by Jimmy Sangster, add up to a rich and satisfying horror classic.

BFI National Archive, Senior Preservation Manager Andrea Kalas added: "The restoration of what many fans call the best Hammer horror film required extensive research into reported censored scenes. Rumour and fact, not unlike the Dracula story itself, are intermingled.

"Our research into missing scenes led us to every conceivable resource from the vaults of Warner Bros to an archive in Japan. Scenes censored by the BBFC for the release of the UK version, but included in the US version, have been recovered. In addition, the US title, "Horror of Dracula", had been attached to most theatrical and video releases. We have restored the original British release title with its distinctive illuminated "D."

"Ben Thompson of the BFI National Archive film lab oversaw the restoration and it is due to his diligence and perfectionism that the film is restored. We owe special thanks to Richard Dayton and Eric Aijala of YCM Laboratories and Tim Everett, Ned Price and Bill Rush at Warner Bros."

The film was restored from the original negative, except for the original British title and the censored scenes, which were from dupe negatives found in Warner Bros' vaults. The original prints were released on IB-Technicolor prints, and Richard Dayton at YCM Laboratories in Burbank worked with Ben to achieve this particular look.

The restoration will have a UK theatrical release later this year and Dracula will become one of the many thousands of films vital to British film history that are preserved at the BFI National Archive.

One of the world's largest and busiest archives, the BFI National Archive contains more than 230,000 films (features, shorts and documentaries) and more than 675,000 television programmes.

The collection is made available through public screenings at festivals and cinemas throughout the UK including regular screenings at BFI Southbank, alongside video and DVD releases, and online through the BFI's unique education resource, Screenonline www.screenonline.org.uk


Inzwischen wird der Film auch in Kinos in England gezeigt.
Bildformat ist nun korrektes 1,66:1
Ein Trailer findet man auf der bfi Homepage
http://www.bfi.org.uk/whatson/releases/films/dracula/trailer.html

Das ist eine sehr coole Sache. Sowas sollte sich mal durchsetzen.

[Dexter]

n a landmark collaboration, Hammer today announced that STUDIOCANAL, Anolis Entertainment (Germany), Pinewood, illuminate Hollywood fka HTV and others are coming together to undertake a major restoration of the iconic Hammer film library. The project will bring over 30 movies into HD format for Blu-ray and new media exploitation in the 21st Century.

Dracula Prince of Darkness is the first title scheduled for release in the global restoration project and will be released in the UK in conjunction with STUDIOCANAL in March 2012. The partnership continues throughout the spring for the releases of The Reptile and The Plague of The Zombies, and will also include The Devil Rides Out, Rasputin the Mad Monk and The Mummy's Shroud during the course of the year.

Hammer will also release definitive versions of its three hugely-influential original Gothic classics in the UK: The Curse of Frankenstein, Dracula and The Mummy.

As well as featuring a fully-restored HD picture and restored sound, the remastered films will boast a host of newly-filmed extras, including interviews with cast members. These documentary extras are being produced by Hammer expert and historian, Marcus Hearn – author of the recent "The Hammer Vault".

Pinewood Studios carried out the restoration of the first three Studiocanal titles after housing the original negatives for the films, restoring the original UK title sequence to The Plague of The Zombies as well as the UK title cards to Dracula Prince of Darkness.

Recently-discovered footage that was originally cut from the British version of Dracula has been restored by Molinare to the BFI's 2007 restoration courtesy of The National Film Center at The Museum of Modern Art, Tokyo. The Japanese footage features an extended and particularly gruesome death scene for Dracula, as well as a moment considered too erotic by the censors of the day.

Following the discovery and restoration of the Japanese footage to Dracula, Hammer is keen to unearth further "lost" scenes and on-set footage from The Curse of Frankenstein, The Mummy and other titles in their library, and hope that any private collectors with viable unseen elements will contact the company.

In addition, Hammer will regularly be posting to a "Restoration Blog", which will give a unique insider's view on the entire process, from material selection right the way through to release. The blog can be followed at: http://blog.hammerfilms.com

Other companies involved in the restoration project include Warner Bros. Motion Picture Imaging and Thought Equity Motion in the US and Cineimage and Deluxe 142 in the UK.

http://www.aintitcool.com/node/52787